Review Tokina AT-X 287 series
Posted 28 December 2007 - 05:54 AM
Posted 28 December 2007 - 06:06 AM
AF-S DX Nikkor 18-70 mm f/3.5-4.5G IF-ED
60mm f/2.8D AF Micro-Nikkor
70mm-180mm AF ED f4.5-f5.6 D Micro-Nikkor
Tamron SP AF200-500MM F/5-6.3 Di LD (IF)
Nikon PB6 belows, Nikon Tubes.
2X Nikon SB600 flash guns
Manfrotto dual flash bracket
Posted 02 January 2008 - 03:33 AM
I've tried contacting Tokina europe but no replies.
From searching around the web I've found several versions of these lenses from Tokina.
The first lens was french manufacturer Angenieux design, and then Tokina took it from there.
like Tamron did with their 14mm which was bought from Nikon(or so the rumor goes.
I've had the Tokina ATX PRO SV 28-70mm f2.8 for some time now, it's soft wide open, but from F/4 it's acceptable @ f/5.6 its razor sharp.
I did a Review of the SV version some time ago--> here
I belive the order goes like this:
#1 AF 28-70mm f/2.6-2.8 (original Angenieux?)
#2 Tokina 28-70mm f/2.8
#3 Tokina ATX 28-70mm f/2.8
#4 Tokina ATX PRO 28-70mm f/2.8
#5 Tokina ATX PRO II 28-70mm f/2.8
#6 Tokina ATX PRO SV 28-70mm f/2.8
#7 Tokina ATX PRO 28-80mm f/2.8
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Posted 01 February 2008 - 01:30 AM
Posted 03 February 2008 - 02:10 PM
Digital: D610 backed up by a D1x. Quoted from an unknown source by a fellow planeteer, "Never get rid of a working D1x." I've got to agree.
Film: N90s, F3, F100, F4s, C330s. A few lenses.
Why film photography? I like shooting with the equipment. 6x6 Velvia slides from a C330 have an appeal all their own.
Why automated 35mm/Digital cameras? Event photography is about capturing moments. It often requires quick response. Well done automaton can be your friend or your enemy. It all depends on knowing what it can and can't do. "A man's got to know his (camera's) limitations." paraphrasing Dirty Harry...
Posted 05 February 2008 - 02:19 AM
Posted 06 February 2008 - 01:30 PM
Posted 06 February 2008 - 02:44 PM
D70 IR (stolen), D200 (stolen)
Posted 08 February 2008 - 09:34 AM
Posted 08 February 2008 - 01:38 PM
"Photography is man's attempt at immortality. To save our memories and share them. The places we have been, the people we have known, the things we have done. To share with others for eternity, or until the images fade away."
Film Nikon N60, N70(2), EM, Mamiya C-330, C-33, RB67
Digital Nikon D7100 D7000, Nikon D200(RIP), Fuji S3Pro(Retired)
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