A NPS story
Posted 14 March 2012 - 01:01 AM
Posted 15 March 2012 - 09:39 PM
Posted 24 March 2012 - 02:11 PM
Posted 24 March 2012 - 06:45 PM
I doubt they will. Typically, if they pooched the first time, they will make sure it is right the second time. You already paid for the repair that "didn't happen" so I would sleep easy on this one.
However, I am curious to see what they do and how it all works out.
I dunno about that -- I had a 24-120 that was focusing unevenly across the FOV and I must've had it back to Nikon in El Segundo four times. I finally gave up and traded it on a used 80-200/2.8. My experience with Nikon repair has been mixed. I also had my D70 back with card-write errors several times. They finally replaced the entire insides with that from a D70s and it's been working well since.
Digital: D610 backed up by a D1x. Quoted from an unknown source by a fellow planeteer, "Never get rid of a working D1x." I've got to agree.
Film: N90s, F3, F100, F4s, C330s. A few lenses.
Why film photography? I like shooting with the equipment. 6x6 Velvia slides from a C330 have an appeal all their own.
Why automated 35mm/Digital cameras? Event photography is about capturing moments. It often requires quick response. Well done automaton can be your friend or your enemy. It all depends on knowing what it can and can't do. "A man's got to know his (camera's) limitations." paraphrasing Dirty Harry...
Posted 28 March 2012 - 09:16 PM
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