Posted 03 November 2015 - 10:56 PM
Any FX lens that's adaptable to DX counts as a DX lens and gives the added bonus that the edges and corners will likely be sharper than that of an equivalent DX lens.
That said, I'd like to see a 45-135/2.8 VRII that's compatible with the AFS teleconverters. That'd give roughly the same angle of view on DX that 70-200 gives on FX.
Digital: D610 backed up by a D1x. Quoted from an unknown source by a fellow planeteer, "Never get rid of a working D1x." I've got to agree.
Film: N90s, F3, F100, F4s, C330s. A few lenses.
Why film photography? I like shooting with the equipment. 6x6 Velvia slides from a C330 have an appeal all their own.
Why automated 35mm/Digital cameras? Event photography is about capturing moments. It often requires quick response. Well done automaton can be your friend or your enemy. It all depends on knowing what it can and can't do. "A man's got to know his (camera's) limitations." paraphrasing Dirty Harry...